Gilles Deleuze Quotes on Knowledge
Gilles Deleuze was a 20th-century French philosopher, one of the most influential figures of post-structuralist continental philosophy. This page collects quotes attributed to Gilles Deleuze on the topic of knowledge, drawn from across the philosopher's works.
Quotes
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Attributed to Gilles Deleuze:
“Philosophy is the art of forming, inventing, and fabricating concepts.”
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Attributed to Gilles Deleuze:
“A book has neither object nor subject; it is made of variously formed matters, and very different dates and speeds.”
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Attributed to Gilles Deleuze:
“How else can one write but of those things which one doesn't know, or knows badly?”
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“There's no need to fear or hope, but only to look for new weapons.”
from Postscript on the Societies of Control -
“from Postscript on the Societies of Control”
There's no need to fear or hope, but only to look for new weapons. -
“from Essays Critical and Clinical , p. 104.”
In order for music to free itself, it will have to pass over to the other side — there where territories tremble, where the structures collapse, where the ethoses get mixed up, where a powerful song of the earth is unleashed, the great ritornelles that transmutes all the airs it carries away and makes return. -
“from Dialogues with Claire Parnet, p. 147 [emphasis in original].”
Instead of gambling on the eternal impossibility of the revolution and on the fascist return of a war-machine in general, why not think that a new type of revolution is in the course of becoming possible , and that all kinds of mutating, living machines conduct wars, are combined and trace out a plane of consistence which undermines the plane of organization of the World and the States? -
“from I have Nothing to Admit”
A book is a small cog in a much more complex, external machinery. Writing is a flow among others; it enjoys no special privilege and enters into relationships of current and counter-current, of back-wash with other flows — the flows of shit, sperm, speech, action, eroticism, money, politics, etc. Like Bloom, writing on the sand with one hand and masturbating with the other — two flows in what rela